Stylist attitude in Zurich and Basel
Swiss design reunited by efficiency and clarity of method and expression
Armin Hoffmann basic letter form design. Point, Line, and Plane.
Type could be visual as well as verbal, make it talk to the audience
Opposing forces
Visual counterparts to the structural harmony of music
Swiss movement had a major impart on American graphic design
Paul Rand corporate American design
Swiss information put in a structural way
Branding. people could control the message and reputation.
Revolution in editorial design occurred from classes being taught by Alexis Brodovitch.
Large formats with abundant space for design and photos was editorial design in the 1960s.
Visual communicators, entertainment as part of the function.
Message, conceptual power of images
first time to overlap elements
Politically active
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